![]() I wanted the movie to be about surfaces and look like it was lit with Skittles candy. Korine: I wanted to make something that was free and liquid and boozy and without time. Petersburg to shoot, he found real people at the locations who then became part of the fabric. It’s what we start with, but he’s great at finding inspiring images or videos on the Internetįor reference. Kids were vomiting on my door, having sex in the hallways, listening to Taylor Swift 24 hours a day, it was pretty unbelievable.įranco: One of the cool things about working with Harmony is the script is just a blueprint. Movie in nine days, staying in three hotels. So I went to Panama City, Fla., and I wrote the whole ![]() But I flew to Daytona Beach and there was no spring break there - it had all changed, there were just these fat bikers who had run them out. I grew up in Nashville, and in high school, all the kids would go to Daytona - we called it Redneck Riviera - and when I started to write, I felt like I needed I went back later but I was too old to go on spring break. Here are edited excerpts from the conversation: Franco spoke to us in a small, windowless meeting room at the hotel. On Wednesday, before and after the film’s official screening, the Excelsior Hotel, where most of the festival’s VIP guests stay, was swarming with young fans, many of them clutching photographs of Ms. (“Spring Breakers,” which is also being shown this weekend at the Toronto International Film Festival, will be released by Annapurna Pictures in the United States.) Things turn positively surreal when they fall in with Alien (James Franco), a cornrowed, metal-mouthed rapper who serenades them with aīritney Spears ballad. The skeletal plot follows the misadventures of four college friends (the Disney Channel alumni Selena Gomez and Vanessa Hudgens, with Ashley Benson and Rachel Korine, the director’s wife), on what they hope willīe a riotous and spiritually transcendent vacation in St. ![]() Murmured refrain - “Spring break forever” - goes from hollow wish to nightmare come true. “Springīreakers” lives up to its title with plenty of slo-mo booze- and bong-fueled girls-gone-wild montages, but above all it’s a strange and stylized trance film, in which the glazed heroines’ repeatedly But early claims that this nominal heist movie could be a commercial breakthrough for this perpetual troublemaker are perhaps misleading. Korine has also gone from his grubbiest film - “ Trash Humpers,”įrom 2009, was shot on lo-fi video - to his glossiest. With “Spring Breakers,” shown this week in the official competition at the Venice Film Festival, Mr. Korine, at 39, is observing from the outside this time. His latest film, “ Spring Breakers,” is another generational VENICE - Harmony Korine made his first splash as the screenwriter of the 1995 sensation “ Kids,” which was both hailed and denouncedįor its in-your-face depiction of sexually active, substance-abusing teenagers.
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